Tell us a little about yourself and your writing.
I’m a novelist and short story writer, and I bounce infuriatingly between any kind of genre that takes my fancy. So far, that’s urban fantasy and horror for both adult and teen readers, because at the end of the day, I just like telling stories.
My first novel, Blood and Feathers, was an urban fantasy involving hellmouths and sarcastic angels with drinking problems, handguns and secrets, and which was nominated for British Fantasy Awards in both the best newcomer and best fantasy novel categories. The sequel, Blood and Feathers: Rebellion, picks up the story, and has also been nominated in the best fantasy novel category for this year’s BFAs. I’ve also written short stories for people like PS Publishing, Jurassic, Fox Spirit and Solaris – and Alchemy Press, of course.
And I have two cats, because that’s the law if you write fantasy.
What is at the root of your Urban Mythic story?
The idea behind “Death and the Weaver” came from Breton folklore. I spent a lot of time in Brittany growing up, and still go back most summers, so I know the stories pretty well. My favourite was always the Ankou, a skeletal Grim Reaper figure whose role was to collect the souls of the dead from each parish. On the face of it, it doesn’t sound that unusual, but the interesting thing about the Ankou is that he is always one of the parishioners himself: the soul of the last person to die in the year serves as the Ankou for a year and is then replaced. I love the idea that this could (and probably would) mean it was someone you knew – and I started to wonder how that would change your relationship with death.
Bringing the Ankou up to date was a lot of fun. I read as many versions of the legend as I could, which stretched my French about as far as it could go! In most of them, the Ankou is very tall and usually has long white hair and a head which constantly revolves (so no death escapes him). He carries a scythe with the blade pointing forward and rides a cart pulled by two horses – one fat and one thin. Not all of these would work in a modern setting … but the C in a Citroen 2CV originally referred to “chevaux” (horses), so…
You’re known for having soundtracks for your work – did “Death and the Weaver” have a soundtrack or particular song?
Funnily enough, it did! Along with the Breton folklore, I love Breton music and I have quite a lot of it. I started out having some of the more traditional songs playing in the background, but even modern Breton music still has strong folk roots so there’re lots of bagpipes and accordions in there. I ended up with two songs pretty much on a loop, both by Anthony Chaplain. One was “Marie de la Dondaine” (click here) and the other was “Bzh” – basically a mash-up of several different traditional songs. The title is the abbreviation for the Breton name for Brittany: Breizh. Those two songs between them probably came to feel like a part of the story.
How has the transition between writing adult and YA fiction been? Is there anything you can do with your YA work that you couldn’t do with your adult work? Or vice versa?
I’ve probably been very lucky in that the kind of books I want to write hover around the border between YA and adult fiction. I’m always interested in the idea of identity and responsibility, which are two of the biggest themes in YA and still incredibly relevant beyond that. I mean, who gets to 18 and says, “Yes, that’s it. I know exactly who I am. This is me.”?
I love having the opportunity and freedom to work in both fields and I hope I don’t treat them that differently (although, in fairness, I try to swear a bit less in YA!). The one big change I’ve found, though, is that I feel there have to be more consequences in YA. Not in a judge-y, lecture-y sort of way, but the Blood and Feathers books have, for instance, a fair amount of casual violence in them … and I don’t think I’d be comfortable writing that into a YA.
Room 101 time: what one genre cliché would you get rid of?
Every genre comes with its own set of clichés; they’re what help us identify them as a particular genre, aren’t they? I think I’d rather get rid of the idea that there’s “literary” fiction and “genre” fiction and never the twain shall meet. There’s a fair amount of snobbery in either direction, and that utterly infuriates me. There are as many different stories in the world as there are ideas and not all of them will appeal to everyone … and that’s OK.
What inspired you to run a marathon next year and where can people go to sponsor you?
If only it were a full marathon! I’m actually running a half-marathon (although that’s still 13 miles which is enough to make me weep at the moment): the Bath Half, in March 2015. I’ve thought about it for a couple of years now, and never managed to talk myself into it, but I did one many years ago (the Moonwalk, which takes place at night through central London) and I loved the challenge. I am, clearly, a glutton for punishment.
As part of that, I’m hoping to raise some sponsorship money for Kids Company, who operate centres in both London and Bristol to provide practical, emotional and educational support to vulnerable inner-city children. You can find out a little more about them on their website.
Their work is amazing and incredibly worthwhile, with the potential to make an enormous difference to so many children’s lives, but they need at least £13.5 million a year to keep doing it. Even the tiniest donation helps towards that and is incredibly welcome, so if anyone would like to sponsor my months of running (which, believe me, is something you won’t hear me saying very often) to train through the winter, and for the race itself, you can find my sponsor page here: http://uk.virginmoneygiving.com/runloumo
What are you up to next?
I have a couple of stories I’m really excited about which should be surfacing in the near future. Besides “Death and the Weaver”, there’s a story about Oliver Cromwell’s other head which will appear in Fox Spirit’s Missing Monarchs issue of their Fox Pockets series, and I was thrilled to be asked to contribute to the third volume of the Zombie Apocalypse! anthologies. Zombies have never been my favourite monsters, so the chance to create one that interested me was too good to pass up.
The beginning of 2015 also sees the paperback release of Sleepless, my first YA book for Stripes Publishing as part of their Red Eye horror series, which follows a group of friends who take an unlicensed study drug they find on the internet. It’s all set around the Barbican and Smithfield meat market in central London, because ever since I lived there I knew I wanted to set a horror story there! And it’s probably not giving too much away to say that for it won’t end well for everyone…
For more information, check out loummorgan.wordpress.com or @LouMorgan
Well gosh, that was fun. And if ever there was a convention that needs a lot of photos taking during it, it's Geekfest. Alas, I took none. So you'll just have to take my word for the fact that there were so many cool costumes! Harley Quinn, Dr Who and Ace, baby in a flying saucer pram, Judge Dredd, assorted manga type people, Daenerys, a Sharknado...!
And panels. Good lord, were there panels. About a million of them, with a handy digital programme thing to make it easier to sort personal scheduling out. Missed a load I wanted to go to because they clashed with other ones I wanted go to a bit more. I need a Time Turner for next year, I think, so I can see all the things.
But what I did see - well, there was the Urban Fantasy panel, of course, which I live tweeted due to the perplexingly small amount of women being mentioned as having written urban fantasy and/or city based fantasy. There'll be a blog forthcoming on that shortly, I think, as there's a lot of thinky thoughts bubbling in my head about urban fantasy, cities and visibility of women. Though, apart from the issue with forgetting women authors, it was a good panel with some intriguing points made and the panellists were excellent.
I also made it to the Time Travel panel; the Mythology and Fairy Tales panel; the Writing LGBTQ+ Characters in SFF talk by Laura Lam; the Rule 63: Gender and subversion in History, Popular Culture and Fandom panel; the 'It's A Man's World...': Where Are The Women In The Creative Industry? panel; the Looking Backwards panel, which was a cool history thing; and the podfic vs podcasts thing - which I somehow managed to not realise would be about fan fic, despite the fact it was in the fanfic track! But it was a fun one, and very interesting.
And I may have gone a bit mad shopping in the dealer room. And that's before the post-con book binge of buying up stuff recommended on panels and mentioned by lovely random people. And talking of people, I saw many, in that ships that pass in the night kind of way, and big hugs to Alasdair and Marguerite and Adrian and Adele and Ian who were particularly lovely and made the con just that bit better!
Definitely need to book up for next year.
- Current Mood: giddy
Edited by Jan Edwards and Jenny Barber
Presenting twelve stories of women who gleefully write their own rules, women who’ll bend or break the social norms, who’ll skate along the edge of the law and generally aim to misbehave.
(in alphabetical order, final order TBC)
A. R. Aston – No Place of Honour
Stephanie Burgis – Red Ribbons
Zen Cho – The First Witch of Damansara
Jaine Fenn – Down at the Lake
Juliet E. McKenna – Win Some, Lose Some
Christine Morgan – The Shabti-Maker
Tom Johnstone – Kravolitz
Gaie Sebold – A Change of Heart
Sam Stone – The Book of the Gods
Adrian Tchaikovski – The Blessed Union
Jonathan Ward – A Change in Leadership
Chloë Yates – How to be the Perfect Housewife
Due to be published late 2014 from Fox Spirit Books
- Current Mood: bouncy
We will be unleashing the Anthology of Awesome at Fantasycon in York, on Saturday 6th September at 2pm. Hurrah!
Not only that, we have cover! Well, prelim cover. Slight changes may be made to the font-y bits, but, hey, look... pretty picture from Edward Miller!
And! Final order of contents!
Are you excited? I'm excited! ;-)
- Current Mood: bouncy
First, Urban Mythic #1 was kinda sorta nominated in the British Fantasy Awards. Oh yes! Our very own Adrian Tchaikovsky made the Best Short Fiction short list with his story 'Family Business'. Massive congrats to Adrian!
Our publisher overlords at Alchemy Press also made the short list for Best Small Press and Best Non Fiction (with Doors to Elsewhere by Mike Barrett); and with our loyal Fox Spirit editor hats on, we're also rather pleased that Fox Spirit Books also made the shortlists in Best Small Press, and Best Anthology (with Tales of Eve edited by Mhairi Simpson). So epic glee all round! (Not least because so many women made the BFA short lists this year as well. Hurrah!)
Now! Urban Mythic #2 news!
Yes, my darlings, we have contents! In alphabetical order, with proper order to follow anon, here be our fabulous people...
Sarah Ash – La Vouivre
James Brogden – Avatising
Carl Barker – The West Dulwich Horror
Andrew Coulthard – Paradise Walk
K T Davies – For the Memory of Jane
Pauline E Dungate – Trapped in the Web
Chico Kidd – Blood*uckers
Tanith Lee – The Mermaid
Christine Morgan – High School Mythical:Asgard
Lou Morgan – Death and the Weaver
Marion Pitman – The Cupboard of Winds
Adrian Tchaikovsky – Where the Brass Band Plays
And! There will be a cover by Les Edwards - to be revealed at a later date.
Aaaaaalllll the awesome!
- Current Mood: bouncy
So then the Amazon/Hatchette thing happened. Marie Brennan does a summary here with handy linkage - so where does this leave the average e-book buyer if they want to keep feeding their habit but would kind of like to not screw over their beloved authors by their shopping choices?
Happily, as far as the indies and smaller presses are concerned, there’s the option of buying direct from the publishers or from the lovely online Indie stores. This is something I’ve been trying to do for the last couple of years – not so much because of Amazon’s policies (because I’ve not dug deep enough into them to make a fully educated decision and explain exactly why big corporate = bad), but more because I’m not a huge fan of the file format they do. I want to have my e-books in DRM free epub or mobi formats that I can keep copies of on my own storage devices and easily chuck at whatever reading device I happen to be using. I don’t want to be locked into Amazon owning my books or fiddling with them or generally losing them if I use a device without the kindle app. I want control of my books.
Previously I’ve bought smaller press books from Smashwords, Weightless Books, Book View Cafe, and Spacewitch, and also the sadly missed Wizards Towers Books when it was up and running. I also buy direct from the Angry Robot Trading Co. who do a few indies as well as their own books; and I keep meaning to try out the Rebellion Publishing store for all things Solaris/Abaddon and the Tor Books store for all things Tor!
All of which is great, but if you want something from one of the bigger publishers, Amazon has always been the easiest go-to. But after the AmaHatch grudge match, I decided to finally get around to checking out some of the other options for e-book buying – Nook and Kobo I’d heard about, and discussions on one of Juliet E. McKenna’s facebook posts brought Waterstones Online and Google Play to my attention, so I’ve been book-buying and downloading reading apps and here’s my not-very-technical-and-has-a-short-atten
The books: The first four books in The Mysteries of the Greek Detective series by Anne Zouroudi (buying 1 per venue!) – available from Amazon UK for £1.54
Comparison points: Price of book, file formats available, reading apps available, readability on the app-readers
General notes: At minimum I want to be able to read the e-book on either my kindle or iPad, and also my laptop as a back up if possible. Therefore a downloadable and accessible file format I can convert to mobi is going to be preferable. I’m not that bothered about the look of the store - so long as it has a basic search widget I can find my way to what I want. And if there’s too much hassle in downloading reading apps or syncing content between devices I’m done with that venue.
Price of Book: £2.63
File Format: Adobe DRM epub
Reading Apps: Kobo app for PC – easy to install and use; Kobo app for iPad – easy to install, a bugger to use and still hasn’t synced up to my account after 3 hours so no book has appeared in my library; iPhone – auto installed when I picked up the iPad app and the purchases sync up! Yay!
App Readability: PC - short pages but readable. Bit like a landscape PDF. iPad – still hasn’t synced with my Kobo library so have no book to test it on! iPhone – if you don’t mind the titchy screen with not a lot of content per page then definitely readable.
Will I use it again? Probably not. No auto sync to the iPad or quick solution to fix that is a big turn off.
Price of Book: £1.54
File Format: Erm.. Adobe DRM epub?
Reading Apps: PC – need Windows 8.0/1 – which I don’t have; iPad – app easy to install and instantly syncs to purchases; iPhone – auto installed when I picked up the iPad app and purchases sync up nicely.
App Readability: iPad - Very readable, like it. iPhone – again, if you don’t mind the titchy screen with not a lot of content per page then definitely readable.
Will I use it again? Probably. Easy to shop, easy to read on the iPad but the lack of compatible PC app is annoying, and I’d quite like an open file format.
Price of Book: £2.99
File Format: Adobe DRM epub licensed for 6 devices
Reading Apps: PC – uses the Adobe Digital Edition – easy to install and use; iPad – uses Overdrive Media Console – easy to install, total bugger to actually use as it’s not syncing to my account; iPhone - ditto the iPad comments.
App Readability: PC – readable, like the Kobo app you get that squashed landscape page feel but it’s clear and easy to use. iPad – still hasn’t synced to my account and there’s no easy way to work out why and fix that. iPhone - ditto the iPad comments.
Will I use it again? No. Twice the price of the other stores and the mobile device sync failure is a pain in the ass and will take too much time and fiddling to sort out.
Google Play Books
Price of Book: £2.48
File Format: erm? Dunno. Kept in the google cloud.
Reading Apps: PC - online via Google Play website; iPad – easy to install and use; iPhone – auto installed when I picked up the iPad app
App Readability: iPad – very easy to read with easy navigation and easy typeface alteration options. iPhone – easy to read, like it.
Will I use it again? Actually, probably. Though the cloud access only thing will be a problem next time my internet connection goes down so it’s not ideal, but can see it as a good one for phone reading.
In conclusion – it’s likely that given time and further investigation the Kobo/iPad app problems and Waterstones/Overdrive app sync issues can be fixed but for a quick and easy option I’m erring towards Nook apps or Google Play. Would still prefer a store that lets you download actual DRM free epub/mobi files though, so neither the Nook or Google Play are completely ideal.
- Current Mood: curious
Official blurb type thing -
Regular readers of Fox Spirit books know that women are pretty bad-ass - be they evil queens, goddesses, super-villains or anti-heroes, warriors, monsters, bad girls, rebels, mavericks or quietly defiant - so with that in mind, we’re looking for stories of women who gleefully write their own rules, women who’ll bend or break the social norms, skate along the edge of the law and generally aim to misbehave.
Genres: any variation of fantasy, SF, horror and/or crime.
Length: 4000 – 8000 words
Format: doc/docx/rtf files – see the Fox Spirit house style guide for formatting requirements
Email as an attachment to: email@example.com
Please put ‘Submission: Wicked Women/story title’ in the email subject line
Deadline: 30th June 2014
Payment: £10 on publication, copy of the paperback and profit share for two years.
Odd notes -
 Yes, we're accepting stories from men too! Just make sure your lead is a woman.
 A leading woman can be cisgender or transgender or any person who chooses to self identify or present as a woman in the space of the story.
- Current Mood: bouncy
We are seeking contemporary tales with all the magic and wonder of myth and legend, blending modern life with the traditions of folklore from around the world. Whether lurking in dark alleys or brash shopping malls, ensconced in upscale riverside penthouse lofts or humble suburban semis, we want to see the fantastic woven into the everyday. We want fiction that entertains but also pushes beyond the usual urban fantasy boundaries – action, folk tales re-imagined, mythic creatures adapting to the urban environment – be it noir, humour, dark, literary or light, there must be a recognisable mythic thread. Fully realised characters are a must and solid plots extremely desirable.
We don’t want: secondary worlds, steampunk, SF, zombies, human sacrifice, magic help-lines, paranormal romance love-triangles, erotica, religion, gore, and absolutely no poetry.
Electronic submissions only to Jan Edwards and Jenny Barber at firstname.lastname@example.org. Send manuscript as an email attachment in standard manuscript format (in RTF/doc/docx). Both the email subject line and the manuscript file name must include: submissions – title – author’s name – word count (e.g., Submissions – My Great Story – Jane Doe – 5000 words). Full contact details must be included on the manuscript’s front/first page as well as in the email. Submission window closes 30 April 2014. No acceptances/rejections will be made until after this date.
We are seeking original fiction between 3,000 and 8,000 words. Payment is £10.00 for the first 5,000 words, then 0.2p per word on publication, plus a copy of the book. Payment is made via PayPal or UK cheque (overseas’ contributors must have a PayPal account).
The Alchemy Press intends to launch this book at FantasyCon in September 2014.
Right, official stuff having been said, here's the extra editor Jen bit that I said last year, and mean doubly this year.
Do not assume the guidelines don't apply to you. Seriously. The wordcount is firm (I repeat, the wordcount is FIRM. Don't ask, just rewrite to fit.) and we're really serious about those things we don't want to see because, honestly, some of them don't apply to the theme, and some of them are things we've seen so many times in the slushpile our brains automatically shut down as soon as we see a story with them in.
So - to repeat, this is not an anthology for your poetry, secondary worlds, steampunk, SF, zombies, paranormal romance or erotica. We don't want to see human sacrifice, magic help-lines, heaven/hell as a corporation, mythic-beastie love triangles or relentless gore.
Also - do not send us fan fiction with the serial numbers filed off, main characters who spend the entire story in denial of the supernatural elements around them, anything remotely resembling a mid-life crisis, someone in the midst of writer's block (or other artist's block), anything with an obvious twist or dream endings (they rarely work). In fact, check out the Strange Horizons page on what they see too often, that pretty much covers a lot of the stuff that makes us cringe too!
And avoid anything vaguely epistolary. Due to excessive experience in multiple slushpiles, I can't read any story that's set out as letters/emails/diary entries/tweets etc.
Don't go overboard with the covering email - keep it short and to the point. If you use Word, don't forget to turn off your track changes and accept all changes before you send the doc, because it is very distracting when it all shows up. :-)
Don't waste your first page. Open strong, don't waffle, don't smack us in the face with an epic infodump on your story's version of the world or the complete history of your protagonist. We can work these things out as we read. Give us an interesting character and situation to make us keep reading.
Diversity is good. No, scratch that. Diversity is awesome. We're actively encouraging diversity in all elements of the anthology and are particularly interested in settings and cultures not traditionally covered in urban fantasy - just make sure they're well researched and not exoticised. Picking a location just because it looks shiny is a no-no - give us depth and a respectful understanding of the local culture and folklore. Likewise with your choice of protagonist - we're very open to diverse perspectives and hearing the stories of people who are traditionally underrepresented in urban fantasy. See the Resources page for links to useful articles on avoiding cultural appropriation etc.
I like humour and satire and generally fun stories. A bit of subtle social commentary never goes amiss so long as it doesn't get overbearing or preachy. I like stories that are fast and to the point, with plenty of plot-related action. I like things that introduce new concepts and that mash up genres. I also like stories that are slower and create an atmosphere, things with a decent plot that are also mood pieces. I've a soft spot for a gorgeously turned phrase, though watch out that it doesn't go purple.
Mainly it's all about the characters. I can forgive a lot in a story, but if the characters are thin or cliche or generally unpleasant assholes with no story logic behind their personality, then I lose interest. I have very low tolerance for obsessively racist/sexist/homophobic characters, even if they meet a grisly end. I like characters whose choices move the plot along, characters who have a strong voice and obvious personality. I prefer characters with a bit of experience in their profession and/or with the mythic element of the story, as I've read far too many stories where a newbie is just discovering the weird things and spends the whole story having everything explained to them.
But other than that, we're flexible. ;-)
- Current Mood: excited
Though I didn't read nearly as much online fiction as in previous years, recommended shorts from the year-that-was include:
Abyssus Abyssum Invocat by Genevieve Valentine - Lightspeed (February 2013)
As Large as Alone by Alena McNamara - Crossed Genres (July 2013)
The Crimson Kestrel by Leslianne Wilder - Beneath Ceaseless Skies (February 2013)
Death Comes Sideways to the Mall by William Alexander - Apex Magazine #46
Dreams of Peace by Dana Beehr - Beneath Ceaseless Skies (May 2013)
The Drowned Man by Laura E. Price - Beneath Ceasless Skies (May 2013)
A Family for Drakes by Margaret Ronald - Beneath Ceaseless Skies (March 2013)
Forgiving Dead by Jeff Stehman - Daily Science Fiction (May 2013)
From the Book of Names My Mother Did Not Give Me by Christine V. Lao - Expanded Horizons (April 2013)
In Joy, Knowing the Abyss Behind (part 1) (part 2) by Sarah Pinsker - Strange Horizons (July 2013)
In Metal, In Bone by An Owomoyela - Eclipse Online (March 2013)
A Little Sleep by Melissa Mead - Daily Science Fiction (May 2013)
Mermaid's Hook by Liz Argall - Apex Magazine #46
Of Ash and Old Dreams by Sarah Grey - Daily Science Fiction (June 2013)
The Princess and Her Tale by Mari Ness - Daily Science Fiction (May 2013)
Pythian Games by Tom Doyle - Daily Science Fiction (March 2013)
Singing Like a Hundred Dug-up Bones by Alex Dally MacFarlane - Beneath Ceaseless Skies (May 2013)
Swan Song by Melissa Mead - Daily Science Fiction (April 2013)
With Tales in Their Teeth, From the Mountain They Came by A.C. Wise- Lightspeed (January 2013)
Town's End by Yukimi Ogawa - Strange Horizons (March 2013)
There were some cracking anthologies published in 2013, if you haven't already picked them up, go check out:
Glitter and Mayhem, John Klima & Michael Damian Thomas (eds) (Apex Book Company)
Mothership: Tales from Afrofuturism and Beyond, Bill Campbell, Edward Austin & Edward Hall (eds) (Rosarium Publishing)
Noir Carnival, K. A Laity (ed.) (Fox Spirit Books)
Tales of Eve, Mhairi Simpson (ed.) (Fox Spirit Books)
Terra Nova: An Anthology of Contemporary Spanish Science Fiction, Mariano Villarreal (Editor), Sue Burke (Translator), Lawrence Schimel (Translator) (Sportula) (First English translation edition in 2013)
The Book of the Dead, Jared Shurin (ed.) (Jurassic London)
The Other Half of the Sky, Athena Andreadis & Kay T Holt (Candlemark & Gleam)
We See a Different Frontier: A postcolonial speculative fiction anthology, Djibril Al-Ayad and Fabio Fernandes (Futurefire.net Publishing)
What Fates Impose, Nayad Monroe (ed.) (Alliteration Ink)
Winter Well: Speculative Novellas About Older Women, Kay T. Holt (ed.) (Crossed Genres)
Collections! (Because you can never have enough short stories!)
Across the Event Horizon, Mercurio D. Rivera (Newcon Press)
Conservation of Shadows, Yoon Ha Lee (Prime Books)
How the World Became Quiet, Rachel Swirsky (Subterranean Press)
Kabu Kabu, Nnedi Okorafor (Prime Books)
This Strange Way of Dying, Silvia Moreno-Garcia (Exile Editions)
Artists who did beautiful beautiful art!
Alexandra Knickel (Assorted covers, including this Lightspeed one)
Amy Mebberson (Pocket Princesses web comics)
Edvige Faini (assorted covers, including this Lightspeed one)
Halil Ural (this Lightspeed cover)
Julie Dillon (assorted covers - I am an unashamed fangirl of her work!)
Mats Minnhagen (assorted covers)
Renee Nault (assorted illustrations and web comics)
Sarah Anne Langton (assorted covers)
Sara K. Diesel (cover of This Strange Way of Dying)
Sutthiwat Dechakamphu (assorted covers, including this Lightspeed one)
Tina Marie Lane (assorted covers)
Zack Fowler (assorted covers)
Zsófia Tuska (assorted covers, including this Beneath Ceaseless Skies one)
- Current Mood: chipper
Sooo (as all great blog posts are wont to start...) 2013 then. That was a year. Quite a good one for me actually.
I had two short stories published in two very excellent Fox Spirit anthologies:
Past Lives in Piracy - this one being a spin off of the mermaid-pirate stories I keep writing, though it's more about the human pirate that's hunting them and how that is a very bad idea...
To Fox Tor Mire in Shapeshifters - this one being a Maddy Cain story where the sins of the mother come back to bite the daughter on the ass... (one day I will finish a novel length urban fantasy thing with my beloved fox-mage trickster girl, until then, there will be many shorts...)
Speaking of - there's another Maddy Cain story due out at some point from Elektrik Milk Bath Press in their Urban Fantasy anthology - no idea when though, probably sometime in late 2014.
With my editor hat on (it has sparkles and feathers and room for spare red pens) the big one was The Alchemy Press Book of Urban Mythic which I'm well chuffed about. I always have a lot of fun co-editing with Jan Edwards, and Urban Mythic managed to get a fantastic line up and launched quite well too.
In fact, so well did it go, that we're doing Urban Mythic 2 in 2014! Full guidelines will be up shortly for that!
Oh, and, Alchemy did a quickie interview with us about the anthology here.
And, not only that, but we'll also be doing a rather wicked little anthology with Fox Spirit Books towards the end of the year. More news on that lovely thing another time...
Convention wise, there was, of course, WFC. Which was all work. And as mentioned previously, 2014 is going to be convention play year - I'm definitely going to Nine Worlds Geekfest and Fantasycon (unless next-cousin-to-be-married picks that weekend for the festivities), and am hoping to get to BristolCon and EdgeLit, depending on time and finances.
With my academic hat on (extra pockets for emergency chocolate) I started my penultimate module for the history degree - Myth in the Greek and Roman worlds - which continues to be an awesome course. Oh, and there's also the book keeping course thingy I'm doing alongside it as the family business keeps inventing new ways to challenge me and generally drive me insane and someone needs to understand the all new complicated numbers stuff...
Cool fiction read I'll cover in another post, because the short fiction list will probably go on a bit... and according to Goodreads I read 104 books last year. ::blinks::
Other than that, there was little sister's wedding, of which I'm just about over the trauma of wearing a bridesmaid dress, though the psychological scars from being trapped with that many relatives in one go will likely last a while longer... ;-P
- Current Mood:accomplished